Free Guide to Drawing Hair Step by Step

Understanding Hair Structure and Growth Patterns

Before you begin drawing hair, it helps to understand how real hair actually grows and functions. Human hair emerges from the scalp in different directions and patterns depending on where it's located on the head. Hair doesn't grow as one solid mass—instead, individual strands emerge from hair follicles distributed across the scalp. Understanding this foundation makes your drawings look more natural and believable.

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Hair grows in what artists call the "hair flow" or direction of growth. On the crown, hair typically grows outward and downward. Along the sides of the head, hair grows downward and slightly forward. At the nape of the neck, hair grows downward and sometimes curves slightly. These patterns exist because of how hair follicles are oriented in the skin. When you draw hair that follows these natural growth patterns, the result appears more realistic than when you ignore them.

The scalp itself isn't flat—it's rounded and contoured. Your head has bumps, curves, and indentations that affect how hair drapes and falls. The occipital bone at the back of the head creates a curved surface. The temples curve inward. The crown sits at the highest point. When hair falls over these surfaces, it creates shadows, highlights, and folds that give dimension to your drawing.

Hair thickness and density vary significantly among people. Some individuals have fine, thin hair that lies close to the scalp with minimal volume. Others have thick, coarse hair that stands away from the head and creates more shape. Children often have finer hair than adults. Hair also becomes thinner with age for many people. Observing these variations in real life or reference photos helps you draw diverse hair types accurately.

Practical takeaway: Before drawing any hairstyle, sketch the basic head shape and lightly indicate the direction of hair growth with curved lines following the contours of the scalp. This foundation ensures your hair sits properly on the head rather than floating above it.

Basic Techniques for Drawing Long Hair

Long hair requires you to show how strands group together and move as a unit while still suggesting individual hair texture. Rather than drawing each individual strand—which would be impossibly time-consuming and look overly busy—you'll draw hair in sections and clusters that appear realistic when viewed from a normal distance. This approach balances detail with practicality.

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Start by dividing the long hair into major sections. For straight, flowing long hair, you might create three to five main segments that cascade down from the crown. Each segment should have a slightly different direction and shape to show how gravity and natural hair movement affect each section differently. The hair at the very top of the head sits closest to the scalp and has more defined shape. As hair gets longer, gravity pulls it downward, and it becomes more uniform in appearance.

Use curved lines to suggest the outer edges of hair sections. These lines should flow smoothly and avoid sharp angles unless you're drawing very structured, styled hair. When you draw the outline of a section of hair, you're creating the shadow line where that hair mass blocks light. The interior of these sections can be filled with parallel lines that suggest individual strands or strand groupings, or you can leave them lighter if you want to suggest highlights.

Layering creates visual interest in long hair drawings. Even if hair isn't actually cut in layers, the way it naturally falls often creates the appearance of layers and movement. You can suggest this by varying the length slightly within sections and adding curved lines that suggest where some hair falls in front of other hair. Where hair overlaps itself, create darker shadows to show depth.

Wind and movement affect long hair dramatically. Hair doesn't always hang straight down—it curves, twists, and flows based on the person's movement and position. If you're drawing someone walking or in a breeze, hair should show this motion through curved, flowing lines rather than straight vertical strokes. The longer the hair, the more dramatic this movement can be.

Practical takeaway: Draw long hair in 3-5 major sections rather than individual strands. Use curved lines for the outer edges, add interior lines suggesting strand direction, and darken areas where sections overlap to create depth.

Creating Texture and Dimension in Short Hair

Short hair presents different challenges than long hair because it sits closer to the head and requires you to show volume and shape more clearly. With less hair length to work with, you must convey texture and dimension through careful shading, line work, and understanding how short hair reflects light. The good news is that short hair often shows more individual variation and personality in a drawing.

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Short hair can range from very closely cropped styles to shoulder-length cuts. For very short hair, like a buzz cut or pixie cut, you're primarily showing the shape of the head itself with a thin layer suggesting hair on top. You can indicate this with light shading rather than line work. For slightly longer short hair, like a bob or layered cut, you have more opportunity to show individual sections and the direction each section is styled.

Layering becomes especially important in short hair drawings. Many modern short hairstyles feature multiple layers that create texture and movement. You can show layers by drawing slightly curved lines that suggest where one layer of hair ends and another begins. Where layers overlap, add shadows. Where layers separate, you might show a bit of the scalp or darker hair beneath. This creates the illusion of multiple overlapping sections of hair.

Highlights and shadows are critical for showing dimension in short hair. Short hair sits close enough to the head that you can see how the scalp's curves affect the hair. The crown catches more light and should be lighter in your drawing. The sides and back catch less light and should be darker. Areas where hair curves away from the light source should have shadows that follow the form of the head beneath.

The texture of short hair shows more clearly in drawings because each strand or strand grouping is visible. You can suggest texture with small curved marks that follow the direction of hair growth. These marks shouldn't be uniform—vary their length, spacing, and darkness to create a natural appearance. Some marks represent highlights on individual strands, while others represent shadows between strands.

Practical takeaway: For short hair, focus on showing the shape of the head and using shadows and highlights to create dimension. Include layer lines and texture marks that follow the direction of hair growth, varying their size and darkness for natural appearance.

Drawing Curly and Textured Hair

Curly hair and textured hair styles require understanding how curves and coils interact with light and shadow. Curly hair appears fuller and takes up more space than straight hair of the same length because of the way curls stack and layer. Rather than hanging straight down, curly hair bounces outward in waves and spirals. Learning to draw these shapes convincingly opens up your ability to represent the full diversity of hair types.

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Begin curly hair by establishing the overall silhouette or outline of the curly mass. Curly hair typically creates a rounder, fuller shape than straight hair would. Sketch this general shape lightly—it might be oval, round, or triangular depending on the specific style and how the curls are arranged. This outline represents the furthest point that the curls extend outward from the head.

Within this outline, create individual curl or coil shapes. Curls can be tight and small or loose and large depending on the person's hair texture and how the hair is styled. You can represent curls using spiral or S-shaped curves within the overall hair mass. These curves should flow in multiple directions, not all identical, to show the natural variation in how curls form and sit. The curves nearest the scalp are typically tighter and more defined. As you move outward, curves can become looser or blend together.

Shading is essential for showing the three-dimensional quality of curly hair. Each individual curl has a lighter side (where light hits it) and a darker side (where it curves away from the light). Create this effect by shading the interior portions of curl shapes darker and leaving the outer edges lighter or with highlights. Where curls overlap other curls, add shadows to show depth. The deeper within the hair mass you go, the darker the shading should be, since less light penetrates into densely curled hair.

Textured hair like coils, locs, or tightly textured curls requires similar principles but with attention to how these specific patterns look. Locs, for example, are tubular and relatively uniform in thickness. You can show them by drawing parallel vertical or slightly curved lines that represent individual locs, then shading between them to show separation and depth. Coily or